hello Good people!
i would love to share with u another important aspect of life in Africa... that is SURNAME..
Yah... its very important even today.
A surname carries with it a lot of societal values..
It gives family identity and values. For example, we are Called Ncube hence what we value most in our family can not be of value in Ndlovu family.,
Another thing, surname itself helps or was used to conserve our proudly African environment. For instance, Dube people they are not allowed to eat a zebra becoz its their totem. Meaning to say fewer animals were slaughtered in our environment.
Also surname plays a vital role in marriages. People of the same surname cant marry each other.....WHY? Is LOVE should determine? A very big NOOO... chances are high that when u mate you will give birth to a weak baby...?? but WHHHHHY?
Lets get talking more would be revealed...
Thursday, 26 May 2016
Sunday, 22 May 2016
dont lose it..its still vital
hello good friends..
today i would love to look at another important element of life in Africa which was and even today is used to store very important information.
POEMS...
This is a very important element of life in an African society. it was formulated to store a very critical issues... poets uses poems to keep individuals experiences and even some strategies they used to over come challenges.
The poem is also used to communicate with leaders..for example ruthless leaders which can not accept direct challenge...
what else do u think poems are used for?
today i would love to look at another important element of life in Africa which was and even today is used to store very important information.
POEMS...
This is a very important element of life in an African society. it was formulated to store a very critical issues... poets uses poems to keep individuals experiences and even some strategies they used to over come challenges.
The poem is also used to communicate with leaders..for example ruthless leaders which can not accept direct challenge...
what else do u think poems are used for?
Thursday, 12 May 2016
meanings of names and their impacts in our African societies
Heloo friends. I hope
u all well. Today I would love to deliver another aspect of our culture which
was/is mainly used by our African mothers to preserve important information. You will discover that most African names
carries with it vital message either for the family or it encourages the owner
to be an upright person. Besides having individual impact, names were concerned
with building a peaceful environment in the society. However the so called ‘globalisation’
and civilisation has washed away our pride. We want to be identified by English
names is it? But should we forsake our culture? Here are some of the names I managed
to get n discover their meaning… if you
have one please share with me the meaning and how you were given..
Ntandoyenkosi/Kudakwashe - means "Will of God" for Boys. In most cases the family would be
struggling to get a girl child and by this name they will be accepting the unchangeable
gift.
Sizwe- means nation "for boys" this name is historically
pregnant. May be the mother gave birth to this child whilst the country was
struggling to get its independence or the parents were facing economic
challenges or it is during that time when everything appeared fantastic.
Mqondisi - means director for Boys. This name can mean that
that God is the only person who gives the direction to the family or the boy
child will deliver the family from all challenges by directing them to where
there is joy and happiness.
Siqondile - means "we are straight" for girls. Siqondile can also mean “ His
decision is correct” in this instance may be the family will be appreciating a
decision which was taken by a certain member of the family when the child was
born.
Lungile- means
"one who is well behaved" mainly for girls. This name encourages the child to be very disciplined
child. This name is usually given to a first born child so that she can lead by
example to her younger sisters and brothers.
Mlungisi - means (one who fixes things, or make things
right) for boys. This name is usually given to a child who came to rescue the
relationship that was falling apart. Either due to failure of giving a boy
child( ingqabutho) or to have a child for the family at all.
Ayanda- means (Boys are increased) for boys. Appreciation of
God’s gift. Mostly the family will be having a boy after a boy and no girl
child.
Methembe- means "Trust him, normally refer to God"
for both boys/ girls. This name is also given by aunties to a new born baby to
communicate with their muroora/makoti that she should trust their brother who
is working in a faraway place. It installs peace and patience that he will come
back to her.
Jabulani/Farai- means "Be happy" In Ndebele (Zim)
its for boys. It’s a name which is communicating to either to the family
members or to the ancestors to be happy that there is a new member joining the
family.
Sunday, 8 May 2016
Following the foot prints of our forefathers.
How have folktales been
rejuvenated in order to fit into the morden society…realising they were playing
crucial role back then.
Folks have been used by our elders in
delivering certain information containing different life lessons. These folks
varied with age group, children had their own stories, teenagers and so on. The
teller in most cases was someone with a gift of voice projection( can make any
sound of any animal). Life experiences also made it easy for one to deliver the
message in this disguise manner. However with the coming of technology we lost
all these African values. OHHHH thanks to actors and writers who have revived
some of precious values. Although it is not as original as it was but they
persevered because oral stories can lose some of their colour and liveliness
when put in writing, there is a gain that makes the change worthwhile. In the
past, oral stories, and the identities of their tellers, were often lost to
future generations because there were no written records. Now, storytellers yet
unborn will be able to breathe new life into our tales and adapt them to the
needs of listeners and readers of their time.
Since the beginning of
time folks have always wanted to spread the word. The ones who can spread the
word most effectively have the ability to �talk
dat talk�
and �walk
dat walk�.
In other words they can grab the imagination of the listeners and hold on to it
for as long as they like, conjuring up images of the good and the bad, the weak
and the strong, and the trickster and the fool. They have the ability to make
you laugh until you cry, cry until you laugh, stand up and shout, or stare in
amazement at their gestures and characterizations. Besides these, they carry
with them the societal values which everyone is expected to follow.
In the African culture,
past and present, these folks have gone by many names. Today, they are called
preachers, healers, teachers, comedians, blues singers, poets, dancers,
rappers, liars, painters, and historians. In a performance, all storytellers
will use whatever it takes to get the story across. To hear them is to hear the
drum, the heartbeat of Africa. To see them tell the story is to experience
highlights of an African ritual at its best, a total theatrical performance. People
can easily understand a certain concept when delivered in a dramatic manner.
The storyteller, the
story and the audience are of equal importance. The drummers or musicians set
the tone. The dancers or singers warm up the audience. The audience gives their
approval by clapping their hands, swaying to the beat, and shouting comments or
praises. The storyteller enters, dressed for the occasion in attire that may be
colourful and exciting to arouse the curiosity or formal to create a serious
mood. The storyteller senses the vibrations of the audience and begins to
deliver the story, using his or her voice to mimic the characters. The
storyteller may chant or scream. The storyteller sweats, and the audience loves
it, because this means that the storyteller is doing all that he or she
possibly can to please them. The story is full of emotions, full of humour,
full of rhythmic language, and full of wisdom.
The storyteller and the
audience are flexible. No one worries about making a mistake. No mistakes are
made. Something new is being created. The story has fired up the audience. The
storyteller has succeeded, and he or she exits in a fashion that will be
remembered. The story has not ended. The audience has taken it home with them,
and the next day they spread the word to the ones who were not there to witness
the event. The spirit of sharing is cultivated as information is shared from
one person to another.
Thnx to the internet
which tried to stop our African ways of passing information because it opened
platforms liked Youtube, facebooks where we care share our African indigenous
orature.
Saturday, 7 May 2016
Tracing back our roots..
Impact
of indigenous games…
These days, “child’s
play” seems to be about online gaming, from Playstations to Nintendos. But many
might recall the days when children congregated outdoors, playing their
favourite games in the street. They were free and required little or no equipment.
Apart from being fun, they also helped build fundamental skills, from social
interaction to physical hand-eye co-ordination and even basic maths and
strategic thinking. These games did not only entertain children but it played
different roles in shaping the character of the participants. Here’s our list of some of the most popular
traditional African games played by children across the continent. How best can
we take them back to our African society and help shaping our only PROUDLY
African children? how can the technology help us liberating our traditional games?
1.KUDODA (ZIMBABWE)
There’s
a few variations of this game, all which need at least three players to make it
fun. In Kudoda, players sit in a circle around a wooden or metal bowl filled
with 20 to 30 small stones or marbles. The first player picks up one of the
stones and throws it up in the air. It’s all about quick fingers. Before it
drops down, the player tries to pick up as many other stones in the bowl as
he/she can. Once all players have had a chance, the stones are counted and the
one who collects the most is the winner. From this game children were being
taught to be clever. To manage to calculate events and foretell the future as
well as planning before its too late.
2. MANCALA (THROUGHOUT
AFRICA)
Mancala is believed to
be the oldest game in the world. It was played in as many countries on the
continent as there is variations of it. So if you don’t recognise the name,
it’s probably because its been called everything from kigogo in Kenya to oware
in Ghana. How does it work? First you need a mancala board, with holes arranged
in either two or four rows. Small stones or seeds were used in earlier days;
today, using marbles is common. The name mancala literally means “to transfer”
in Arabic, so the aim is to move your stones around so that you can capture
more than your opponent. It’s fun, but strategic, much like chess. The game is
still played today, enjoyed by both children and adults across the globe. It
sharpens the minds of the children, make them think critical e.t.c
3. AMPE (GHANA)
This is a game best
played with a group of four or more, but just two people will do, too. It’s an
active game, with so much clapping, singing, and jumping involved that it
almost looks like a dance. It’s a game that’s been passed down from generation
to generation. A leader is chosen and the rest of the group either stand in a
semicircle or split into groups of two. The leader begins by jumping, and when
you land from your jump, you place one leg forward. Points are earned depending
on which leg (left or right) meets the opposite leg of your opponent first.
Everyone gets a chance to be the leader and usually the first person to reach
10 points wins! The game was not only meant for entertainment but it carries
with it the ideology of hierarchy. In other terms leadership is passed from one
person to another. It also promoted respect of the elders despite his age,
financial status, back ground what so ever.
4. NYAMA-NYAMA-NYAMA
(KENYA)
“Nyama!” is what you
have to shout out when the leader in the game mentions an animal that can be
eaten. The word literally means “meat” in Swahili. In nyama-nyama-nyama you
stand in a circle, with a leader in the middle. The group jumps up each time an
animal is named. This game is still played across East Africa and is popular
among children of all ages. This games was meant to teach children the types of
meat they should it as well as conservation of natural resources indigenously.
5. STOCKINGS (ACROSS
AFRICA)
This game starts from
the ankle, working all the way up to the neck. It’s played by girls across the
continent—and all over the globe. All you need is a skipping rope, but many use
stockings as an alternative to the ones you can buy at the store. Two players
stand on each end of the rope, swinging it in a circle motion often while
singing a song. A third player jumps in the middle, skipping as the rope turns.
The two players on each end start swinging the rope low, which is easy for the
jumper, then gradually progress by lifting the rope higher and higher – to the
knee, the thigh, then waist, until the third player can’t jump high enough. A
fourth player can also be introduced, which makes it more challenging. This
game promoted friendship from the girls side but it has tried to make sure that
girls remain active. In most cases ladies do not exercise, they normal do
indoor tasks which limits them from working they body. In order to avoid
unnecessary diseases like high blood pressure(BP) heart attacks e.t.c they had
to engage in those games.
All these games had a
very important role from different societies in the African societies. This is
why they were adopted by their fellow Africans…they made it easy to educate
children important aspects of life by inserting the ideology in games. They
learnt while playing.
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